Elizabeth Shannon

Fantasy Writer Wannabe

More holes than swiss cheese!

The writing has been going well now for a few weeks. The words have flown freely, if occasionally out of order and in a bit of a jumble. No sign of writers block (yet)

Until today. Today, after completing chapter 11 I re-read, and almost flung the entire thing in the shredder. It had more plot holes than a slice of swiss cheese. In fact the longer the chapter went on the larger and more definable the holes became. Today I am taking a step back and turning back to my plot notes and research to question some of the background I have written about the small world I have created – in particular how it exists and how it works. The pain! Failure to iron out these issues now will simply lead to plot inconsitencies and a big fat fail later.

Screw Fate

I feel the need to vent. In a free potentially grammatically incorrect form. If you take offence at posts which have not been subject to extensive proof reading and re-writing you may want to pass this one by.

Have you noticed the number of films dealing with the issue of fate and predestination over the last few years? If not the central topic, its there in the sidelines, hidden behind a façade of overly complicated action sequences and melodrama. The Matrix, Terminator 3, and numerous others all seem to be centred on this underlying theme that there is this thing we call fate.  The belief our lives are somehow laid out even before we utter our first word and, no matter what we do, nothing will change that.

Even here on the web, especially the last few weeks, I have come across people who truly believe in the concept of predestination. The “happen if it is meant to happen” brigade. The belief alone is one thing but many of these advise others, especially vulnerable people,  to sit tight because if it is ‘destined’ it will happen.

Bollocks.

To admit to ‘predestination’ or fate is to admit to the fact I do not have control over my own life. To admit my future is dictated, not by my own actions or choices, but by some external force is something I simply cannot do. If this was true, if our lives were really written before we were born, if no matter what we did it the result would be the same, then the whole concept of free will would be rendered meaningless. Hell, this simple fact would make us little more than puppets in a play. Puppets who need do nothing but await the puppet master to come along and shove his hand up our arse.

I believe we control our own lives. If we want something badly enough we have to do everything in our power to try to achieve it. Success or failure is not dictated by an external force programming our destiny before we are even a sparkle, but by the choices we make. There is no puppet master with a roving hand and a penchant for the determining the course of an individuals future.

We are the puppet masters of our own lives. It is for us to dictate whether or not our dreams are fulfilled.

If you want something bad enough, then do everything in your power to achieve it. Don´t just sit there and wait for the puppet master to do it for you. Nor should you accept a life purely because it is the one “given to you”. This is a mode of thought pressed on individuals by a church and a leadership who desire a steady society and workforce content to accept the “status quo”. The “accept what you have now and you will be rewarded in heaven” philosophy.

No.

If my life was prescribed for me through a simple act of fate or predestination then I would have cause for vengeance.  But, as a fairly intelligent adult, I am aware that my life is the way it is because I made it so. No hand of fate. No puppet master.  If I want to change the course of my future I have to take responsibility and take action.

Welcome!

You may already have concluded from the domain my name is Elizabeth Shannon. If you haven´t, well, there really is no hope for you.

I am in my mid-thirties, though I rarely admit to this in public. I am a jack of many trades and a true master of none.

I live in an almost permanent dream world from which I escape only when absolutely essential. I love to create stories. It is my passion.

My best friend is my Oxford English Dictionary. It is the perfect multi-function book I own – when not in use as a dictionary it doubles as weight lifting apparatus (working alongside my Oxford Spanish Dictionary)

During the course of my lifetime (or at least thus far) I have had a wide range of jobs but have always aspired to write.  I admit I am not the strongest writer in the world. My writing style is under-developed and I make so many grammatical errors I astound even myself. But I do have a very active imagination and can “spin a good yarn”. I have had plenty of practice at the latter.

It is with this in mind I have finally decided to write the series of three books I have been planning for the last sixteen years. A series which were inspired by a dream I had sixteen years ago. Subsequent related dreams helping to build the story. I have now finished editing my notes and have begun the task of writing. Go me!

This blog is intended to chronicle my efforts in completing these books. I have absolutely no idea whether they will ever be published. I am not wholly confident they will be considered noteworthy enough for a publisher to take interest.

But I have to try.

I also need to remember to proof read extensively.

A visit from Lilith

Last night I had a dream which, for reasons unknown, left me reeling with fear (and sweaty!).  In a far worse state than any nightmare I have experienced!

I was stood on the top of a small hill looking over a mist covered valley. It was dawn. The sun was just rising and a honey shimmer was appearing over the landscape in front of me. I watched it creep slowly towards me and, eventually, I could feel its warm caress on my arms and face. But I wasn’t warm. In front of me the scene spoke beauty in every inch but I knew that behind me things were playing out a little differently. A cold chill prickled at the base of my spine warning me of an unseen danger.

I remember knowing, instinctively, someone was stood not very far behind.  Someone I feared.  I found myself frozen – unable to breath or move.

A chill voice spoke ‘Hello Eliza

I closed my eyes. Now I knew it had to be a dream. My heart was pounding, and every inch of my skin prickled. I was scared. I remember thinking

I shouldn’t fear her, it was insane I should fear her. Yet, here I was, terrified she was stood behind me. I tried to push my fear down, told myself that all I had to do was remind myself I had created her. This girl, this person behind me, was nothing but a figment of my imagination.

A shrill laugh broke the silence ‘Oh my dear Eliza, that’s exactly why you do fear me you silly girl


A part of me does wonder if my fear was not of the character herself but in what she has come to repesent. After all I have often felt the ability to write was an elusive skill enjoyed by others, not me. The imagination I have, a story teller I most certainly am, but a writer? The jury is still out.

“Anger and Hurt. Fear and Pain”

Being able to remember ones dreams and nightmares long after they have occured can be both a blessing and a curse. Many of the tales I have spun over the course of the last twenty years have had their foundation in a dream or a nightmare, including the triology I am writing at the moment. One dream which has stuck with me over the years but I have never worked with is as follows – the details of which are as vivid as the night the dream occured some 15 years ago.

The dream seemed to be centred around a story I was writing set in a prison and I seemed to shift between playing the writer, the central character and the observer. It was as though I was free spirit randomly moving between the three individuals, experiencing their lives for but a few seconds at a time.

As the dream begins I find myself sat at a desk in a darkened room, the only source of light is a small table lamp at my side. I have the feeling others are in the room with me, yet, when I turn and look around no one is present. The feeling remains with me and I find it hard to concentrate on the paragraph of the book I am working on. I conclude the piece I am writing and read back. It clearly is horrendous because I delete is straight away and shut down the computer without saving.

In a flash I find myself sat on the lower bunk in a prison cell. I am in a dicussion with a man in the bunk above me.  I express the hope of having the book I am working on published one day when I am released. Although once again I appear to be a writer I do not believe I am the same person as previously, not least because I was a female writer before and now I am distinctly male and in prison.

I shift again and become a third person in the room watching the two men on the bunk interact. The prison cell is bare with blue walls and heavy wooden bunk beds. As I watch I soon become aware of intense hatred and loathing eminating from the man on the upper bunk. I have never felt such a sense of pure hatred eminating from an individual before.

I only experience this third character, the observer, for a split second before I am whisked back to the man on the lower bunk. He is still talking to the man in the upper bunk and is, apparently, unaware of the strength of hatred this individual feels for him and his words. Eventually, almost out of the blue, my character asks the man what the others childhood was like.

A voice, dark and full of pure hatred, comes from the direction of the upper bunk. ‘Anger and Hate. Fear and Pain’. He then leaps down and grabs the other (me) by the throat and slings me across the room.

I hit the wall and, after a sharp blinding pain, open my eyes to discover I am once again the writer.  I am sat in front of my desk once more but, unlike before, I can see them. It feels like I am in a theatre, a very small dark theatre. I turn my attention to the two men, aware also that the observer is also now present. I hear the man from the upper bunk scream the word ‘death’, and I freeze. An icicle of fear has pierced my heart and I cannot breath. I turn rapidly to the notes in front of me; feeling confused. I quickly re-read the last paragraph in the chapter and am shocked to find it was the paragraph I had deleted – this scene should not have been taking place!

As I attempt to edit the chapter to solve the problem I suddenly become aware of the man from the upper bunk approaching my desk. For a split second I once again jump into the his body and experience the thought “You will pay” before I wake up.